Framing Gallery
- Lerra Pinta (Finke River) by Selma Coulthard
- Detail of Selma Coulthard painting
- Detail of Selma Coulthard painting
- Fred Williams painting
- Detail of Fred Williams painting
- A Deborah Klein charcoal & oil pastel on paper, Australian blackwood frame (acacia)
- Detail of Sue Eckhard painting
- Detail of Sue Eckhard painting
- Detail of Sue Eckhard painting
- Acrylic on canvas stretching (courtesy Small Banks collection)
- A Shepard Fairey screenprint
- A Shepard Fairey screenprint
- A Djirrirra Wunungmurra screenprint
- A Djirrirra Wunungmurra screenprint
- A Hugh Ramsay landscape
- Oil on canvas by Joanna Braithwaite to be framed
- Aboriginal dot painting acrylic on canvas
- Charcoal and watercolour on paper by Mika Utzon Popov in box frame
- Chinese painting on rice paper
- Eloise Short oil on board
- European seascape with gesso and gilt frame
- Fluffy the slightly pink kangaroo by Reg Mombassa
- Graham Marchant oils
- Icon to be repaired
- Gilt oval frame on 19thc pencil portrait
- Kookaburra to be framed
- Large Vietnamese gongs in display case 180cm x 60cm
- Niangala, by Ross Laurie
- Oil on card by London artist John Byrne (Patrick) to be framed
- Oil on card to be framed, by London artist John Byrne (Patrick)
- Painted timber tray frame
- Painted wood frame
- Paintings by Kutungka Napanangka and Gloria Petyarre
- Painting by Nanyuma Napangati
- Painting to be framed – Song, by Andrew Sullivan (oil on board)
- Song, by Andrew Sullivan (oil on board) in customised factory outer frame and hand gilded silver fillet
- Pencil on paper by Lawrence Neild
- Lawrence Neild watercolour in box frame
- Peter Boggs in studio with ‘Parklands 2 (Dawn)’, 2007 – sprayed acrylic gesso frame
- Unfinished frame for Boboli #14, 2009 by Peter Boggs
- Situation at noon yesterday by Paul Worstead
- Soft sprayed frame
- Still life with jug and pears by Angus Donald
- Under the Anzac Bridge by Russell Carey – detail
- Warren View Hotel by Russell Carey – detail
- Acrylic on paper in white matt and frame
- Coloured lithograph on paper in raw Tasmanian oak box frame
Photos by Robynne Hayward and Andrew Bassett